'Cool Ladies Club' is directed by 10 working-class women. They live up to the title

She reached out to Shilpi Gulati, a filmmaker who teaches at the School of Media and Cultural Studies at the Tata Institute of Social Sciences in Mumbai, to work on the project.

At first, Gulati was puzzled by the idea. The women did not know anything about filmmaking, so how could they co-direct a film? She sprang into action: "It was a wild experiment. I put together a lesson plan so the women could learn the basics of filmmaking, from lighting to composition. We met every Saturday from about 1:30 to 6:30 p.m.," says Gulati. With only five smartphones available, the ten women worked in pairs.

"I would give them a production exercise for the week — like shooting the Mumbai monsoon or interviewing each other about who you were in the past and who you are today?"

As the women talked and filmed, the scope of the documentary expanded. Instead of making a five-minute film about sanitation, they wanted to document the unseen lives of ordinary women like themselves, sharing intimate moments, telling their stories. It became a 70-minute documentary that took six months to film and a year-and-a-half to edit.

The driving theme, says Gulati, is that even in their busy lives, these women could take time for themselves, build friendships and show that "having fun is not frivolous. That being mast [carefree] and claiming joy is cool. It is a radical act of resistance against oppressive structures."

Darshana Mayekar, a toilet operator and a slum sanitation program leader, says the experience made her feel young again. "For 20 years, I have been busy raising a family and working. While making the film, I was able to live a little for myself. I am 50, but I feel 20," she says.

Vaishali Mane, 35, a community worker who helps women access property rights, says being in front of the camera gave her the confidence to speak up — for herself and other women.

Then there's the exhilarating story of Rehana Shaikh.During the months of filming, Shaikh was between jobs so instead earned money by doing tailoring – gluing tiny round mirrors to a dazzling yellow, silver and white colored sharara set of wide-legged pants, a tunic and stole.

When it was time to take a break, Sheetal Navle, a community health worker, filmed Shaikh going up a narrow set of stairs in her two-story home to her kitchenette, where she would prepare dinner for her husband and three children.

Rehana Shaikh has her star moment as she dances in her family's kitchenette while preparing dinner. NPR screengrab from Cool Ladies Club via Vimeo

NPR screengrab from Cool Ladies Club via Vimeo

In the scene filmed, as she cooks, she plays a rambunctious Bollywood number on her phone and begins to dance.

"I had always dreamed of being a dancer on screen or on stage," she says. "Growing up, I was not allowed to step out of the house even for dance classes.

"When the opportunity to learn filmmaking came, I said yes because I wanted to learn something new. My husband said no. He didn't want me on screen." She says he was uncomfortable about women speaking openly on camera.

"I convinced him by saying I will only be behind the camera," she says, deciding to hold back on the details and negotiate with him over time.

Shaikh went back and forth on keeping the dance scene in the film, given her husband's concerns. "The other women encouraged me, saying 'don't hide your passion.' It became a way to inspire others to relieve their stress and dance."

At the premiere, her husband and three children cheered and hooted.

She was thrilled. "They were telling others in the audience, 'She is my wife, that's my mother!"

Note: In addition to Shaikh and Navle, the co-directors are Kavita Ghuge, Rohini Kadam, Kavita Khomne, Vaishali Mane, Darshana Mayekar, Gauri Rane, Anjum Shaikh and Nazneen Siddiqui. They were paid $262 each for their work on the film as co-directors; potential income from distribution deals and ticket sales will be shared as they own joint copyright of the film with Gulati and CORO India. Since the premiere, there have been additional community screenings of Cool Ladies Club, and the documentary will be submitted to film festivals this summer.

Neha Bhatt is an award-winning journalist and author based in Delhi, India, reporting on public health, development and culture. Her work has appeared in The Guardian*,* The British Medical Journal*,* Stanford Social Innovation Review, The Globe and Mail, Devex and National Geographic*. Connect with her on* linkedin.com/in/nehabhattwrites