
DRC faces deadly Ebola resurgence amid worsening humanitarian crisis
DRC faces a deadly resurgence of Ebola just months after the last outbreak.

An exhibition titled 'Beyond Impressionism' at the Holburne Museum in Bath showcases over 50 prints by artists like Manet, Van Gogh, and Gauguin, highlighting their contributions to printmaking. The show aims to revive interest in printmaking, which declined in popularity by the mid-19th century.
Mentioned in this story
They may be best known for their vibrant oil paintings but an exhibition opening in the English West Country is focusing instead on the subtle printmaking skills of artists such as Édouard Manet, Vincent van Gogh and Paul Gauguin.
More than 50 prints created mainly by impressionists, post-impressionists and cubists are going on display at the Holburne Museum in Bath.
The idea of the show, called Beyond Impressionism, is to highlight how artists primarily known for their paintings also helped revive printmaking, which had fallen out of fashion by the mid 19th century.
Chris Stephens, the director of the Holburne, said: “We’re beyond excited to be bringing such a range of major artists here. The paintings of the impressionists are so familiar but we seem to forget that the same generation of artists, and their successors, radically changed printmaking. We wanted to acknowledge this great moment in the late 19th and early 20th century.”
Stephens got the idea for the show when he saw some Gauguin woodcuts at the Frieze Masters international art fair in London. “I was stuck by their sense of immediacy,” he said.
The likes ofRembrandt in the 17th century and, later on, Goya had been celebrated printmakers but Stephens said by the 19th century the process tended to be more associated with commercial reproductions of famous works.
“Many of the leading painters of the 19th century returned to the medium of printmaking, elevating its status as a form of artistic expression in its own right,” he said.

Preparations for the exhibition. Photograph: Karen Robinson/The Guardian
The image used in the exhibition’s publicity material is Manet’s lithograph of his fellow artist Berthe Morisot from 1872. Manet was a key member of the Société des Aquafortistes, founded in Paris in 1862 to promote etching as a medium on a par with painting and drawing.
The exhibition focuses on the printmaking skills of artists like Édouard Manet, Vincent van Gogh, and Paul Gauguin, showcasing over 50 prints.
The featured artists include Édouard Manet, Vincent van Gogh, and Paul Gauguin, among others from the impressionist and post-impressionist movements.
Printmaking is significant as the exhibition aims to highlight how these well-known painters contributed to reviving the art form during the late 19th and early 20th centuries.
The 'Beyond Impressionism' exhibition is taking place at the Holburne Museum in Bath, England.

DRC faces a deadly resurgence of Ebola just months after the last outbreak.

UAE probes drone strike that ignited fire near nuclear power plant

US college graduates are facing a tough job market amid economic uncertainty.

Confusion reigns over handball law after United's controversial goal against Forest.

Taiwan's President vows to protect democracy and sovereignty amid US-China talks.

Families of jailed Saudi scholars urge Cambridge to drop training plans for Riyadh's defense ministry.
See every story in News — including breaking news and analysis.
Stephens said the inherently collaborative nature of printmaking fostered the exchange of ideas among artists of the day. They also looked towards the great printmakers of Japan.
Many of the pieces in the exhibition, created from the 1850s through to the 1930s, come from public collections, including the Courtauld Gallery in London and the Ashmolean in Oxford, but some have been borrowed from private collections and so are rarely seen by the public.
Stephens said he was particularly taken with etchings by James McNeill Whistler capturing scenes of the Thames in London and of Venice.
He said: “It’s interesting to see how he uses the kind of soft shading that you can make in an etching. That sort of has the same effect as the blue, moody, misty effect he got in his paintings.”

Van Gogh’s Gardener By an Apple Tree at the Holburne Musuem. Photograph: Karen Robinson/The Guardian
Visitors will be able to view Van Gogh’s Gardener By an Apple Tree, a scene he observed and sketched while visiting a retirement home.
The exhibition probes how advances in lithographic printing enabled the production of large, colourful prints such as the ones by Henri de Toulouse-Lautrec that promoted Parisian nightlife.
There are also a series of Pablo Picasso pieces including a print of The Frugal Meal and some of his minotaur etchings from the 1930s. The exhibition explains how Picasso fully embraced the medium, pushed the boundaries and cemented the standing of prints.
Stephens said: “It is wonderful to be able to demonstrate the revival of etching from Whistler’s Venetian nocturnes to Picasso’s minotaurs alongside Gauguin’s rare woodblock prints and lithographs by Toulouse-Lautrec.”